The first step in this process is to assign the proper audio roles before clips are edited into the FCP sequence. The final challenge is to match the sonic quality of the voice-over pick-ups (done by the host at his home) to the original voice-overs. These were recorded on location, but in a quiet room. The next challenge is getting the voice-overs to sound close to the on-camera audio. In those cases, it’s the lav mic, but then I have to contend with the duller sound of the mic under the clothing, along with some rustle. My personal preference is the boom, but sometimes the waves on the beach created too much background noise. The location sound mixer recorded both a Lavaliere mic and a boom mic on separate channels. The host stand-ups were recorded in two environments – close to the shoreline and in a quiet wooded area. I’m working on an Alaska travelogue series – on-camera host on location, voice-overs, voice-over pick-ups, and music. You can adjust volume and apply effects to the entire lane, on top of anything done to individual clips contained inside of that lane. In essence, each audio lane within the compound clip is similar to a summing track stack in Logic Pro. ![]() The combination of lanes are in turn summed together and sent to the mix output. This is similar to a group or submix bus in a DAW. However, once you combine all clips in the sequence into a single compound clip, then the audio for all clips within an audio lane are summed together. If you exported an FCPXML file for an outside mixer, then audio roles help to organize the track layout in other audio software.Īt this point the clips are still individual. If you’ve assigned the correct audio roles to each clip, then all dialogue clips are grouped into the dialogue lane, all music clips in the music lane, and so on. ![]() For example, do you want to export a “textless” ProRes file from your timeline? Then simply disable the Titles video role in the export dialogue.Īpple engineers have done more with audio roles, which can be further grouped into audio “lanes” through the timeline index window. Audio and video clips can be assigned default and/or custom role designations, which can be used for visual organization and other functions. Several years ago, Apple added the “roles” feature.
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